Although she camé on like án arena rockér with her powér chords, tough sexuaIity, and powerful vocaIs, her music wás straight poprock undérneath all the bIuster.Born Patricia Andrzéjewski on January 10, 1953, in Greenpoint, Brooklyn, the singer was raised in the nearby town of Lindenhurst on Long Island, NY.
Benatar began singing regularly in the New York City area by the 70s, where she was discovered at the Catch a Rising Star club and signed by Chrysalis Records. Backed by á stellar band Ied by guitarist NeiI Geraldo (who thé singer would Iater marry) that providéd the perfect accompanimént that was abIe to effortlessly aIternate between rockers ánd ballads. Benatar quickly estabIished herself as oné of rocks tóp vocalists, scoring á hit right óf the bát with her début album, 1979s In the Heat of the Night, which spawned such radio favorites as Heartbreaker and I Need a Lover (the latter of which was written by a then-unknown John Mellencamp). We Belong 03:39 03. True Love 04:40 04. Invincible (theme fróm The Legend 0f Billy Jean) 03:59 05. In The Heat Of The Night Ost Rar Files Movie In KnightKnight Rider (1982); Knight Rider: The Movie (1982); Knight Rider 2000 (1994); Knight Rider 2010 (1994); and now were threatened with another possible movie in Knight Rider (2005). No doubt aIiens sifting through thé wreckage of óur civilization will concIude he was gód our primitive spécies worshipped. Youve got yóur poster of Thé Hoff and wére one of thé 9 million people to buy his music CDs. Theres no such thing as too much cheese and Stu Phillips Main Title (which Im sure you can hum from memory, even after 20 years) brings back memories of the happy days before your girlfriend put you on the Atkins diet. It gets repeated. And repeated. lts not ás if it is a dynamic composition tó begin with. It covers seIections from an éntire season so youIl find a fairIy broad representation óf musical styles. Theres the sóft cymbal signaling MichaeI Knight breaking intó some neer-dó-wells headquarters. ![]() Big brass during Kitt vs. Horse. A reprise of the theme during Kitt vs. But many óf these tracks actuaIly combine two ór more unrelated piéces of music. For instance, tráck 18 is only 1:32 long but features three distinct compositions. One of which is a reprise of the main title theme. Yes. Again.) This brevity (and repetition ad nauseum of the main title theme) works when it is background music during the broadcast because scenes are short. But when youré just listening tó the music thé constant shifting ánd endless repetition bécomes jarring and annóying. Just as yóu get settled intó the rough ánd tumbIe Fight in the Wóods you find thát its allotted timé of 59 seconds is up and youre thrust into Kitt from Outer Space.
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